SKU: 37329472013

Roman Empire Constantine I AD 307-337 AE3 BI Nummus / ANGELS OF VICTORY NGC (68)

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Roman Empire Constantine I AD 307-337 AE3 BI Nummus / ANGELS OF VICTORY NGC (68)Roman Empire Constantine I AD 307 337 AE3 BI Nummus Obverse: Laureate bust left. Reverse: Two Victories (Nikes) standing, facing each other, together holding shield reading VOT PR on cippus. In ancient Roman religion, Victoria or Victory was the personified goddess of victory. She is the Roman equivalent of the Greek goddess Nike, and was associated with Bellona. She was adapted from the Sabine agricultural goddess Vacuna and had a temple on the



Roman Empire



Constantine I AD 307-337

AE3 BI  Nummus

Obverse: Laureate bust left.

Reverse: Two Victories (Nikes) standing, facing each other, together holding
shield reading VOT/PR on cippus.



In ancient Roman religion, Victoria or
Victory was the personified goddess of victory. She is the Roman equivalent of
the Greek goddess Nike, and was associated with Bellona. She was adapted from
the Sabine agricultural goddess Vacuna and had a temple on the Palatine Hill.
The goddess Vica Pota was also sometimes identified with Victoria.



Unlike the Greek Nike, the goddess Victoria (Latin for "victory") was a major
part of Roman society. Multiple temples were erected in her honor. When her
statue was removed in 382 CE by Emperor Gratianus there was much anger in Rome.
She was normally worshiped by triumphant generals returning from war.



Also unlike the Greek Nike, who was known for success in athletic games such as
chariot races, Victoria was a symbol of victory over death and determined who
would be successful during war.



Victoria appears widely on Roman coins, jewelry, architecture, and other arts.
She is often seen with or in a chariot, as in the late 18th-century sculpture
representing Victory in a quadriga on the Brandenburg Gate in Berlin, Germany;
"Il Vittoriano" in Rome has two.



Winged figures, very often in pairs, representing victory and referred to as
"victories", were common in Roman official iconography, typically hovering high
in a composition, and often filling spaces in spandrels or other gaps in
architecture. These represent the spirit of victory rather than the goddess
herself. They continued to appear after Christianization of the Empire, and
slowly mutated into Christian angels.



Constantine I 'The Great' - Roman Emperor:
307-337 A.D.



Caesar (Recognized): 306-309 A.D. | Filius Augustorum (Recognized): 309-310 A.D.
| Augustus (Self-Proclaimed): 307-310 A.D. | Augustus (Recognized): 310-337 A.D.
|



| Son of Constantius I 'Chlorus' and Helena | Step-son of Theodora | Husband of
Minervina and Fausta | Father (by Minervina) of Crispus and (by Fausta) of
Constantine II, Constantius II, Constans, Constantina (wife of Hanniballianus &
Constantius Gallus) and Helena the Younger (wife of Julian II) | Son-in-law of
Maximian and Eutropia | Brother-in-law of Maxentius | Half-brother of Constantia
(w. of Licinius I) | Half-uncle of Delmatius, Hanniballianus, Constantius
Gallus, Julian II, Licinius II and Nepotian | Grandfather of Constantia (wife of
Gratian) |



Constantine the Great (Latin: Flavius Valerius Aurelius Constantinus Augustus;
27 February c. 272 AD - 22 May 337 AD), also known as Constantine I or Saint
Constantine (in the Orthodox Church as Saint Constantine the Great,
Equal-to-the-Apostles), was a Roman Emperor from 306 to 337 AD. Constantine was
the son of Flavius Valerius Constantius, a Roman army officer, and his consort
Helena. His father became Caesar, the deputy emperor in the west in 293 AD.
Constantine was sent east, where he rose through the ranks to become a military
tribune under the emperors Diocletian and Galerius. In 305, Constantius was
raised to the rank of Augustus, senior western emperor, and Constantine was
recalled west to campaign under his father in Britannia (Britain). Acclaimed as
emperor by the army at Eboracum (modern-day York) after his father's death in
306 AD, Constantine emerged victorious in a series of civil wars against the
emperors Maxentius and Licinius to become sole ruler of both west and east by
324 AD.



As emperor, Constantine enacted many administrative, financial, social, and
military reforms to strengthen the empire. The government was restructured and
civil and military authority separated. A new gold coin, the solidus, was
introduced to combat inflation. It would become the standard for Byzantine and
European currencies for more than a thousand years. The first Roman emperor to
claim conversion to Christianity, Constantine played an influential role in the
proclamation of the Edict of Milan in 313, which decreed tolerance for
Christianity in the empire. He called the First Council of Nicaea in 325, at
which the Nicene Creed was professed by Christians. In military matters, the
Roman army was reorganised to consist of mobile field units and garrison
soldiers capable of countering internal threats and barbarian invasions.
Constantine pursued successful campaigns against the tribes on the Roman
frontiers-the Franks, the Alamanni, the Goths, and the Sarmatians-even
resettling territories abandoned by his predecessors during the Crisis of the
Third Century.



The age of Constantine marked a distinct epoch in the history of the Roman
Empire. He built a new imperial residence at Byzantium and renamed the city
Constantinople after himself (the laudatory epithet of "New Rome" came later,
and was never an official title). It would later become the capital of the
Empire for over one thousand years; for which reason the later Eastern Empire
would come to be known as the Byzantine Empire. His more immediate political
legacy was that, in leaving the empire to his sons, he replaced Diocletian's
tetrarchy with the principle of dynastic succession. His reputation flourished
during the lifetime of his children and centuries after his reign. The medieval
church upheld him as a paragon of virtue while secular rulers invoked him as a
prototype, a point of reference, and the symbol of imperial legitimacy and
identity. Beginning with the Renaissance, there were more critical appraisals of
his reign due to the rediscovery of anti-Constantinian sources. Critics
portrayed him as a tyrant. Trends in modern and recent scholarship attempted to
balance the extremes of previous scholarship.



Constantine is a significant figure in the history of Christianity. The Church
of the Holy Sepulchre, built on his orders at the purported site of Jesus' tomb
in Jerusalem, became the holiest place in Christendom. The Papal claim to
temporal power in the High Middle Ages was based on the supposed Donation of
Constantine. He is venerated as a saint by Eastern Orthodox, Byzantine
Catholics, and Anglicans.








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SKU: 37329472013

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ND IRISH MATT
Grantham, US
★★★★★ 5
So good!
Format: Hardcover
Full of heart and joy
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 14, 2024
L
Library Kat
Port Orchard, US
★★★★★ 5
Yes, Black Cowboys in NYC!
Format: Hardcover
I just read this book with my granddaughter on Libby and ordered it immediately from Amazon. (I will also order it in a Spanish version for my granddaughter to bring to her school). My husband is a musician who performed at the “Atlantic Antic” in Brooklyn many, many years ago. He told us about the Black Cowboys in Brooklyn who trotted up to his concert on Atlantic Ave. “It was surreal,” he said, “to see black cowboys on horseback in New York City!”
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 31, 2025
Y
Y
Lake Worth, US
★★★★★ 5
thrilling ride of a book
Format: Kindle
Beautiful... I love the tenderness of the father-daughter relationship, and the gentle love between rider and horse, contrasted with the raw thrill of the pre-dawn adventure. This book manages to portray something so specific - an urban horseback ride - with such deep and universal appeal.
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Reviewed in the United States on December 18, 2024
S
SP
Carnegie, US
★★★★★ 5
Beautiful book!
Format: Hardcover, Format: Hardcover
This book perfectly exemplifies how soft and simple can be so magical. The lyrical language laden with sensory details, paired with the vibrant visuals, makes for an absolute treat of an experience! The father-child time at night immediately reminded me of OWL MOON and just like owling, urban horseback riding is something we’ve never experienced personally, so it was especially thrilling to experience it with my children through this book. I also love that this book is a celebration of Black culture and joy. Finding the universal through the specific is the key to any good story, and the author has a real knack for it. Just like the Abuelita in this story, my mother is the first to wake up, and we find her nestled in her chair with a cup of coffee. And the description of the little girl’s kiss on her Abuelita’s papery cheek brought back memories of my own grandmother’s papery cheek – something I miss very much. Picture books really are for everyone. All the starred reviews are so well-deserved and I’d be very surprised if this book didn’t win awards. Highly recommend!
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Reviewed in the United States on June 11, 2024
M
Megan Nankivell
Bozeman, US
★★★★★ 5
Gorgeous, joyful, and moving
Format: Hardcover
This book is simply breathtaking, from the vibrant illustrations to the lovely father-daughter story about the precious alone time they spend together early in the morning. The effect is so powerful and visceral, it feels like you're right there experiencing it with them-- the quiet of the city at dawn, the nostalgia, the sharing of a memory that will last a lifetime. It made me long for my own cherished childhood moments. My kid was fascinated by the idea of horses on city streets, which I guess he's never seen before. And, for my part, I loved the all too rare representation of Black cowboy culture in a picture book. More books like this, please! Final moments of the book highlight the main character's belief in herself... "I'm a cowboy too!" This confidence is partly a result of the love and representation provided by her father. LOVE LOVE this book.
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Reviewed in the United States on June 29, 2024

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