SKU: 1073467990

SG KLR Duffle Wheelie Junior / Youth Cricket Kit Bag

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Description

SG KLR Duffle Wheelie Junior / Youth Cricket Kit BagSG KLR Cricket Wheelie Kit Bag Premium Leatherette, Built for the Serious Player Most cricket kit bags look like they belong in a gym locker room. The SG KLR Cricket Wheelie Kit Bag doesn't. Built with a high quality leatherette and matty canvas construction, the KLR combines a professional finish with the practical intelligence that match day cricketers actually need purpose built pockets, ergonomic carry, and the rolling convenience of a true

SG KLR Cricket Wheelie Kit Bag – Premium Leatherette, Built for the Serious Player

Most cricket kit bags look like they belong in a gym locker room. The SG KLR Cricket Wheelie Kit Bag doesn't. Built with a high-quality leatherette and matty canvas construction, the KLR combines a professional finish with the practical intelligence that match-day cricketers actually need — purpose-built pockets, ergonomic carry, and the rolling convenience of a true wheeled kit bag at a price that makes sense.

This is SG's entry into premium-finish cricket bags, and it shows. The same brand that has equipped India's national cricket team since 1931 brings that manufacturing heritage to a bag designed for club and competitive players who want to look and perform at their best.

The KLR's Standout Features

The defining detail is the protective valet lining — a soft, cushioned interior that safeguards your cricket equipment from scratches and impact. For players who travel with high-value English willow bats, this isn't a nice-to-have; it's the difference between a bat that stays pristine and one that shows every transit scar. The dedicated leg guard pocket keeps your pads secure and accessible without digging through the main compartment, and the separate cricket ball pocket keeps your match balls organized and within reach.

The one cushioned bat slot provides protected, snug storage for your primary bat — and when combined with the soft valet lining, it gives your bat better protection than most bags at twice the price. The overall ergonomic structure is designed for efficient packing and carrying: everything has a place, nothing rattles around, and the bag maintains its shape under load.

Carry It Your Way

The KLR is a true hybrid: wheel it across the car park, sling it over your shoulders with the padded backpack straps, or grab the top handle for quick carries. The two large wheels and solid base provide stable rolling on grass, gravel, and paved surfaces, while the padded shoulder straps — with chest buckle — distribute the load comfortably for longer carries. This flexibility makes the KLR a smart choice for players who travel by car, public transport, or on foot to grounds.

Key Specifications

  • Material: High-quality leatherette and matty canvas construction
  • Lining: Protective soft valet lining throughout
  • Bat Storage: 1 cushioned bat slot
  • Compartments: Main compartment + dedicated leg guard pocket + cricket ball pocket
  • Carry: Padded backpack straps (with chest buckle) + wheeled base + top handle
  • Wheels: 2 large wheels for traction and control
  • Closure: SG-branded durable zip with reinforced runners
  • Structure: Ergonomic frame for efficient storage and carrying
  • Color: Black
  • SKU: SGXX-KITB-KLRJ-BLAK

About SG Cricket

SG (Sareen Sports Industries), founded in 1931 in Meerut, India, is the Official Kit Partner of the BCCI and has supplied cricket equipment to India's national team for generations. The KLR series represents SG's commitment to bringing professional-grade design into everyday cricket bags — combining premium materials with the structural intelligence their equipment is known for worldwide.

Complete your kit: pair the KLR bag with SG batting pads, SG batting gloves, and SG helmets. Compare other wheelie and duffle options in our full cricket kit bags collection.

Q1: What does "KLR" mean on the SG cricket kit bag? KLR is a model designation for KL Rahul in SG's cricket bag lineup, representing a mid-range premium series that features leatherette paneling, valet lining, and a hybrid wheelie-backpack carry system. It sits above basic canvas-only kit bags in SG's product hierarchy and is designed for club-level and competitive cricketers who want a premium finish without moving into top-tier pricing.

Q2: Does the SG KLR Cricket Wheelie Bag have backpack straps? Yes. The SG KLR features full padded backpack shoulder straps with a chest/sternum buckle system, visible on the rear panel. This allows it to be carried as a backpack as well as wheeled — making it a true 3-in-1 carry bag (wheel, backpack, or top-handle). This is particularly useful for players navigating stairs, crowded dressing rooms, or longer walking distances to grounds.

Q3: How many bats does the SG KLR Wheelie Kit Bag hold? The SG KLR features one cushioned bat slot for protected storage of a single full-size cricket bat. The cushioned construction keeps the bat surface safe from scratches. Players who carry multiple bats may want to consider the SG X3 Wheelie Kit Bag, which holds up to 4 bats.

Q4: What is the valet lining in the SG KLR cricket bag? The valet lining is a soft, cushioned interior fabric used throughout the SG KLR's main compartment. It protects cricket equipment — especially bat edges and batting glove palms — from scratches, scuffs, and impact during transit. This is a premium feature more commonly found in higher-priced cricket bags and is particularly valued by players who carry high-grade English willow bats.

Q5: Is the SG KLR a junior or adult cricket kit bag? The SG KLR Wheelie Kit Bag is sized for general cricket use and suits players across age groups. The bag's dimensions and compartment layout accommodate standard cricket gear. If you are buying for a young junior player, the ergonomic backpack straps can be adjusted for comfort. Check our full cricket kit bag collection to compare sizing options for junior-specific models.

Q6: Does the SG KLR Cricket Bag have a separate shoe pocket? The SG KLR does not list a dedicated shoe pocket in its specification — it features a dedicated leg guard pocket, a cricket ball pocket, and a main compartment with valet lining. If a separate shoe storage compartment is essential, the SG X3 Wheelie Kit Bag includes a dedicated shoe pocket alongside its other compartments.

Shipping Notes
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
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SKU: 1073467990

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4.0 ★★★★★
Based on 28 reviews
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M
Verified Purchase
MB
New York, US
★★★★★ 5
Hydrating
New fav. My teenager loves it
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 10, 2026
R
Verified Purchase
Ruth
Boise, US
★★★★★ 3
It’s okay
I use it for a month. I saw no difference. It does give you a glow for a few minutes and it does hydrate. No scent and it didn’t break me out.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 19, 2026
L
Verified Purchase
Lana
Carnegie, US
★★★★★ 5
Good
Good
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Reviewed in the United States on January 22, 2026
D
Verified Purchase
dra
Dallas, US
★★★★★ 5
Fractured pop art masterpiece
Walker (Lee Marvin) and Mal Reese (John Vernon) stage a robbery, stealing a bag of cash from some crooks conducting a delivery by helicopter in deserted Alcatraz. Reese double crosses Walker and leaves him for dead, taking off with the cash and Walker's wife. Walker survives, escapes from the island, and comes after Reese, and all the rest of his criminal organisation, with the mantra, "I want my $93,000." On this third or fourth viewing, I was struck less by what an exemplary action film this is (Marvin, the hardest man in the history of the movies, was at least as mean and relentless in The Killers), and more by how deeply artiness is infused into its structure and design. The recurrent flashing back and forward in time, especially at the start between the planning - not in the traditional meticulous heist film set up, just a series of fractured, barely linked brief meetings and conversations - and the robbery, but also Walker's thoughts returning to his betrayal, feed the predominant critical interpretation that Walker was fatally wounded on Alcatraz, and the whole film is his trying to process this and his fantasy of revenge. Boorman addresses this directly in the commentary, to the extent that he refuses to commit and says it's intended to be ambiguous. I'm now firmly in the dying-flashback camp, because of Walker's almost magical powers. (On reflection, it's like the question of whether Deckard is a replicant - you can enjoy debating it and looking for clues, but in the end the answer is yes.) He appears in new scenes and locations with no evidence of having travelled, and generally in a spiffy new outfit (more of this later) despite carrying nothing but his revolver, and, particularly in the central sequence, he evades being apprehended either by coincidence (the lift he's in opens and closes while the baddies waiting for the same lift are distracted by a commotion) or by the sheer application of cool (waiting immobile but scarcely invisible in an underground car park while his pursuer is gunned down by police). He also has an advisor/mentor, played by Keenan Wynn, who pops up in scenes like a cartoon character (he looks like a sort of dome shaped, bristle headed man in a suit who might appear in Ren and Stimpy) and gives Walker his next mission, while the two of them assiduously avoid eye contact as if one or both aren't really there. From Walker's re-emergence in the first of a series of natty suits, Point Blank is constructed as a series of set pieces. The first is the oddest, continuing the flashbacks and playing with chronology. Walker is seen striding intently down a corridor, and we hear the sound of his footsteps over a series of scenes of his meeting his wife, and the two of them sharing innocent good times with Reese. He confronts his wife, fires six shots into her bed before realising Reese isn't there. A scene later, she's dead after an apparent overdose. A scene after that, the body is gone, the apartment is bare, and Walker has boarded himself inside. Did Walker even see his wife? Had she died already? A messenger arrives from whom Walker extracts a name, and he's off chasing the next link. Walker meets care dealer Big John, whose yard has enormous signs in a jazzy '50s font. He asks for a test drive, buckles his seatbelt, and smashes the car between pillars (c.f. The Driver) until John spills the next name. The most self-consciously art-directed scene follows, in which Walker visits a nightclub which features both a bikini-clad go-go dancer and a trio playing something between jazz and James Brown. Tipped off by a flirtatious waitress that he's being followed, he ducks behind the stage, and fights two baddies while giant faces are projected on a huge screen behind him. In a moment that suggests Tarantino watched this while writing Inglourious Basterds, Walker pulls down a rack of celluloid canisters to trap one pursuer, and then returns things to some kind of action movie orthodoxy by subduing the other one with a haymaker to the groin. In the centrepiece, Walker meets his sister-in-law Chris (Angie Dickinson). Grief and his mission of revenge don't mean he misses the chance to share her bed, and emerge, manhood serenely unthreatened, in her borrowed yellow shortie robe. The colour scheme gets turned up to 11 at this stage, with Walker in a mustard shirt-sports jacket combo (his outfits get truly creative whenever he's bedded Angie - later, he sports a shirt somewhere between salmon and ruby grapefruit - which I guess is the wardrobe equivalent of Joseph Gordon Levitt's post-coital dance routine in (500) Days of Summer), Angie in a rockin' yellow shift dress and matching '60s mid-length coat (let down soon after by wearing something striped like a bee), and Reese in a light tan, crushed velour t-shirt that might be the least flattering male garment in cinema until Borat's mankini. Walker even finds a sightseeing telescope painted lemon yellow, which he casually dislocates from its moorings to scope out Reese's penthouse lair. Once Reese is dealt with, the movie shifts into an early example of crime-as-big-business. Reese's boss is Carter, whose sleek Mad Men-style office and threads are matched by his resemblance to that series' Ted. According to IMDb, Lloyd Bochner, who plays Carter, was doing voice-over work from age eleven, and between him, Vernon's baritone (you know how it sounds - like Dean Wormer: "Fat, drunk and stupid is no way to go through life, son."), and Marvin's basso profundo, there's a meeting of male voices unmatched until, say, Brideshead Revisited. Around this point the architecture of LA attracts more and more focus, both modernist glass towers and the concrete culvert of the LA River, where a sniper lurks who might have inspired the climactic shooter in Get Carter. The commentary is conducted as a dialogue between Boorman and Soderbergh, who, if you've seen this, early Nic Roeg (Performance and Don't Look Now), and were already acquainted with the colour yellow, seems less original than he otherwise might. He has the decency to open by talking about how many times he's stolen from Point Blank. He's not the only one though. Point Blank deconstructs and toys with the action film as knowingly as anything in the 45+ years since, up to and including Archer and the entire oeuvre of Shane Black. Just when it's in danger of becoming too clever to be satisfying as a genre piece, it gets your attention with a pistol whipping, a punch to the groin, or the rarely-shown actual end result of the villain-takes-a-long-fall thing. And of course there's Marvin, who, whether dressed like a dandy, wearing a robe, or looking baffled when the next corporate criminal explains that they just don't have $93,000 to hand over, can't be beat. Seriously, you're not obliged to love it, but you have to see it at least once.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 3, 2014
J
Verified Purchase
J. H. Haley
San Leandro, US
★★★★★ 4
Lee Marvin's best
Finally it's in dvd. Been looking for it for years. Point Blank is Lee Marvin's best movie, the best character for him, and has his best tag line. I'll leave that for you to find. (It has to with seat belts.) The movie is aptly named. The plot is steam-roller direct, but the director uses some arty time-lapse devices that either distract by conflicting with the directness of the character and the plot, or enhance by providing depth and interest, I can't decide. But they do jarr a little and seem dated. I suppose I do like the uniqueness they add. It's a really good Lee Marvin movie, and Angie Dickinson to boot. Who remembers her answer when Johnny Carson asked her whether she dressed to please herself or others? Memorable.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 25, 2007

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