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【10%OFF：夏先取りキャンペーン】ゆうパケット対応 巾着 大 体操服袋 [2026春モデル] 撥水ノーアイロン くすみ無地 くすみライトブルー2026 Smooth 140 2 COLORFUL CANDY QUALITY cm 3832. 56 (PET) 1 1. 2. 3. 4. 5.240 6.
■2026春モデル Smoothシリーズ
従来モデルよりも絞りやすく、快適性を高めた新仕様です。
たっぷり入って使いやすい、毎日に頼れる体操服袋です
体操服やお着替え、タオルまでしっかり入る大きめサイズで、荷物が多い日も安心です。
たたむのが少し苦手なお子さまでも入れやすい形なので、出し入れがスムーズ。
毎日の支度がしやすくなることで、「今日も頑張れそう！」という前向きな気持ちにつながります。
撥水＆ノーアイロン素材で、家事の負担をぐっと減らせます
この体操服袋に使われている撥水素材は、アイロンがけがほぼ不要の“ノーアイロン素材”。
アイロンにかける時間は1回数分ですが、年間にすると約40時間も節約できます。
丸2日分の家事が減ると思うと、毎日のゆとりがぐっと増えますね。
忙しい親御さんにこそ、“お手入れの手間が減る”というメリットを感じていただけます。
汚れに強く、清潔をキープしやすいのも心強いポイントです
汗を吸った体操服や濡れたタオルを入れても、表面の水分を弾くので内部が汚れにくく安心です。
少し汚れてもサッとひと拭きでお手入れができ、常に気持ちよく使えます。
軽くてシワになりにくい素材なので、見た目のきれいさも長く保てますよ。
やわらかい袋口で、巾着をスムーズに絞れます
袋口にはやわらかな素材を採用しているため、巾着をスッと気持ちよく絞ることができます。
体育がある日や慌ただしい朝でももたつきにくく、「急いでいる時に助かる」と感じていただける扱いやすさです。
細めのひもで開け閉めもスムーズにでき、内側のネームタグは外から名前が見えにくい安心仕様。
必要な安心と使いやすさを押さえつつ、毎日の通学を気持ちよくサポートしてくれる頼もしいつくりです。
必要な安心と使いやすさを兼ね備え、毎日の通学をしっかりサポート
「丈夫・清潔・使いやすい」の三拍子がそろっているので、必要な安心設計を押さえつつ、通学や習い事など毎日のシーンをそっと支えてくれる心強いアイテムです。
キレイがずっと続くように、安心の品質を大切にしています
素材は、国際的なテスト機関で品質と安全性をしっかり確認済み。仕入れから製造・販売までを一貫して自社で管理し、リスクを入り込ませない体制を整えています。
「長くキレイに」「安心して使える」そんな想いを形にしたのが、COLORFUL CANDY QUALITY です。
従来モデルよりも絞りやすく、快適性を高めた新仕様です。
たっぷり入って使いやすい、毎日に頼れる体操服袋です
体操服やお着替え、タオルまでしっかり入る大きめサイズで、荷物が多い日も安心です。
たたむのが少し苦手なお子さまでも入れやすい形なので、出し入れがスムーズ。
毎日の支度がしやすくなることで、「今日も頑張れそう！」という前向きな気持ちにつながります。
撥水＆ノーアイロン素材で、家事の負担をぐっと減らせます
この体操服袋に使われている撥水素材は、アイロンがけがほぼ不要の“ノーアイロン素材”。
アイロンにかける時間は1回数分ですが、年間にすると約40時間も節約できます。
丸2日分の家事が減ると思うと、毎日のゆとりがぐっと増えますね。
忙しい親御さんにこそ、“お手入れの手間が減る”というメリットを感じていただけます。
汚れに強く、清潔をキープしやすいのも心強いポイントです
汗を吸った体操服や濡れたタオルを入れても、表面の水分を弾くので内部が汚れにくく安心です。
少し汚れてもサッとひと拭きでお手入れができ、常に気持ちよく使えます。
軽くてシワになりにくい素材なので、見た目のきれいさも長く保てますよ。
やわらかい袋口で、巾着をスムーズに絞れます
袋口にはやわらかな素材を採用しているため、巾着をスッと気持ちよく絞ることができます。
体育がある日や慌ただしい朝でももたつきにくく、「急いでいる時に助かる」と感じていただける扱いやすさです。
細めのひもで開け閉めもスムーズにでき、内側のネームタグは外から名前が見えにくい安心仕様。
必要な安心と使いやすさを押さえつつ、毎日の通学を気持ちよくサポートしてくれる頼もしいつくりです。
必要な安心と使いやすさを兼ね備え、毎日の通学をしっかりサポート
「丈夫・清潔・使いやすい」の三拍子がそろっているので、必要な安心設計を押さえつつ、通学や習い事など毎日のシーンをそっと支えてくれる心強いアイテムです。
キレイがずっと続くように、安心の品質を大切にしています
素材は、国際的なテスト機関で品質と安全性をしっかり確認済み。仕入れから製造・販売までを一貫して自社で管理し、リスクを入り込ませない体制を整えています。
「長くキレイに」「安心して使える」そんな想いを形にしたのが、COLORFUL CANDY QUALITY です。
サイズ（単位：cm）
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1.ゆうパケットはポスト投函でのお届けとなります。ポストに入らない場合は、持ち帰ります。
2.厚さ制限があるため、複数ご注文の場合は宅急便でのお届けになります。
3.配達日時のご指定はできません。
4.代金引換は対応しておりません。
5.料金は全国一律送料240円となります。
6.決済時に配送方法「ゆうパケット」をご指定ください。
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※撥水生地の巾着は、生地の特性上使い始めはお子様での開け閉めが難しい為、事前にお洗濯後何度か開閉を繰り返して生地を慣らしてご使用ください。
※ポリエステルには汚れを吸収する特性があり、汚れが強いものと一緒に洗濯してしまうと生地が黒ずんでしまう場合があります。付着した汚れが強いものとは別に洗濯して下さい
※ポリエステルには防火性がないため、火を近づけると生地が溶けてしまう可能性があります。高温のアイロンでも変形・テカリが出る場合があります。使用する際はご注意下さい、
※乾燥機にかけると変形してしまう可能性があります。もともと乾きやすい生地なので自然乾燥がおすすめです。
※熱と一緒にシワをつけてしまうとなかなか取れないので、洗濯機の脱水や乾燥は短めにしてください。
※高温のお湯だと逆汚染が起こりやすくなりますので、ぬるま湯をおすすめします。
※ポリエステル生地は日光に強い素材ですが、濃い色のものは色落ち色あせしてしまうので陰干しがおすすめです。
※色の濃いものと一緒にお洗濯は避けて下さい。
※洗濯後、長時間放置しないで下さい。
※暑い場所で長期間、他の物と一緒に放置しているとプリントの色移りする可能性があります。
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洗濯により若干の色落ち、濡れた状態での接触により色移りすることがございます。洗濯の際は、他のものとまとめて洗うのはお避け下さい。
●柄の出方について
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●商品仕様について
商品は写真と異なる場合や同等品へ仕様変更する場合がございます。予めご了承ください。
また、お揃い生地商品が完売の際はご了承ください。
その他のご注意点はこちら
※撥水生地の巾着は、生地の特性上使い始めはお子様での開け閉めが難しい為、事前にお洗濯後何度か開閉を繰り返して生地を慣らしてご使用ください。
※ポリエステルには汚れを吸収する特性があり、汚れが強いものと一緒に洗濯してしまうと生地が黒ずんでしまう場合があります。付着した汚れが強いものとは別に洗濯して下さい
※ポリエステルには防火性がないため、火を近づけると生地が溶けてしまう可能性があります。高温のアイロンでも変形・テカリが出る場合があります。使用する際はご注意下さい、
※乾燥機にかけると変形してしまう可能性があります。もともと乾きやすい生地なので自然乾燥がおすすめです。
※熱と一緒にシワをつけてしまうとなかなか取れないので、洗濯機の脱水や乾燥は短めにしてください。
※高温のお湯だと逆汚染が起こりやすくなりますので、ぬるま湯をおすすめします。
※ポリエステル生地は日光に強い素材ですが、濃い色のものは色落ち色あせしてしまうので陰干しがおすすめです。
※色の濃いものと一緒にお洗濯は避けて下さい。
※洗濯後、長時間放置しないで下さい。
※暑い場所で長期間、他の物と一緒に放置しているとプリントの色移りする可能性があります。
●洗濯について
洗濯により若干の色落ち、濡れた状態での接触により色移りすることがございます。洗濯の際は、他のものとまとめて洗うのはお避け下さい。
●柄の出方について
柄の出方は、生地の裁断により、一点一点異なります。あらかじめご了承ください。
●商品仕様について
商品は写真と異なる場合や同等品へ仕様変更する場合がございます。予めご了承ください。
また、お揃い生地商品が完売の際はご了承ください。
その他のご注意点はこちら
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4.5 ★★★★★
Based on 2382 reviews
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Product Reviews
★★★★★ 5
Amazing Collection!
Format: Hardcover
I've loved Crystal Wilkinson's fiction for so long, so I'm thrilled to see her new book of poems (along with some essays and gorgeous/compelling artwork by Ron Davis). So many memorable image systems work their ways through the poems: creek water, tobacco, the Black body, blood, knives, food and kitchens--symbols and themes which have always marked Wilkinson's oeuvre in one way or another. Her language is lyrical in describing the brutalities of farm life, abuse, grief, and loss. This poetry collection is just stunning!
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Reviewed in the United States on November 9, 2021
★★★★★ 4
Need my own copy.
Format: Kindle
Looking forward to more of her work, and rereading this book. Some very evocative lines awake my granma memories much like the granmother memories herein.
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Reviewed in the United States on February 24, 2022
★★★★★ 5
Amazing Book...
Format: Paperback
It takes a lot nowadays for me to rate any Fiction book 5 stars. I read way more non-fiction, and usually only read highly recommended fiction, or some that's given to me.
There are plenty of other reviews here that tell you how it's not a "happy" book (why that matters i dont know), so i wont go on about that part. I dont base my reading choices on whether they have a happy fantasy story.
This story is very real. The writing is really good. I have several points that i use to rate a book: the story itself, the actual writing style, the 'entertainment' value, the emotions it brings out - laughter, sadness, etc., and if it's very memorable - either by being very different than anything i've ever read, or by something else about it being very different.
The only point out of all of those that i wouldnt give a 5 would be the writing style/prose - which i'd give a 4. It's very good, but not "amazing" to me like some authors are.
The author brought me into the characters - where i could feel what they were feeling, and i understood why they did the 'bad' things they did - totally. I felt the way they lived, the area, the poverty... As the story progressed, i stayed up one night for HOURS wanting to know what happened - until the sun rose actually.
As the finale was coming - which i had no idea would be the way it was - i was literally gripping the book with both hands and holding it up to my face. I realized this and laughed to myself since i hadnt even noticed. Then - i sobbed thru the last 20 pgs - i havent cried from ANY fiction for a long time. Yes, i get into books and really let them take me away, but this book has a special kind of writing and a special story that i never expected to effect me sooo much.
The author THEN does something so amazing at the very end - when i couldnt believe it could get any better. I KNEW what i wanted to happen - and i kept thinking to myself, "no, it wont - because it will just seem to corny if it does." (Even tho i wanted it so much.) She made it happen in a special way, without making it corny but while bringing me the hope and good feeling i needed after all the sobbing. (I dont want to give anything away just in case you dont know the story.)
This book scores an A+. If you love good, moving, American fiction you will love this.
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Reviewed in the United States on October 21, 2013
★★★★★ 4
Brava, Ms. Ward
Format: Paperback
I read this novel, along with nine others, for a college literature course. Of the ten, this was the only book to elicit a strong emotional reaction from me. There were moments when I hung my head in frustration, threw up my hands in respect (God bless Ward’s writing style), and wiped my face of tears and snot after crying my eyes out. An incredibly moving and poignant novel.
The novel opens with its narrator Esch, fourteen years old and pregnant. She often follows her brothers around, and is constantly surrounded by men as well as the gruesome society of dog-fighting. Esch’s predominant male surrounding is, perhaps, the main influence that encourages her to sleep with her brother’s friends, and to submissively pine for the one boy, Manny, who unforgivingly mistreats her. Though Esch’s character was impeccably frustrating, and borderline stereotypical and archetypal, her faults lie with a motherless young girl, who wants to be wanted and loved. Both frustrating and annoying, this characterization was, at times, unlikable, yet that is exactly what made Esch so human.
I applaud Ward’s lyrical writing style, as well her ability to write such gruesome and honest depictions that made me literally cringe when reading. Ward is able to effortlessly incorporate poetic language into her novel that, at times, made me set the book in both awe and envy, knowing I would never be able to produce such a product. I did find there to be a disconnect between the poetic language and the colloquial diction. That’s to say, I found it a bit unbelievable that Esch would speak so poorly to her family and friends, yet express herself so eloquently in her narration. Regardless, I found the poetic language to be successful and moving.
I knew before reading the book that it was centered on Hurricane Katrina. However, I was surprised that the novel was centered on the build-up to the hurricane. Katrina itself is more or less twenty pages. The chapter pertaining to the hurricane, as well as the aftermath of the hurricane, were the sections of the novel that I found most captivating. Living through the hurricane with Esch and her family was difficult to read, which is perhaps why Ward chose to limit its description. That said, I wish I had more of Katrina and its aftermath. I waited for the hurricane for 200 pages, and it seemed to end as soon as it started. Though I was unsatisfied by the ending, I appreciated that the novel was a work that was not so much about Katrina as it was about survival and family.
I was captivated by Ward’s poetic writing and honest characters. I will definitely be on the lookout for her other works, as well as an avid recommender of this novel.
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Reviewed in the United States on December 10, 2015
★★★★★ 5
00 361 pages Hurricane Katrina spawned an awesome number of literary works
Format: Kindle
Salvage the Bones by Jesmyn Ward
New York: Bloomsberry
$24.00 361 pages
Hurricane Katrina spawned an awesome number of literary works, and it may be that, given sufficient time to determine the full merits of Jesmyn Ward’s novel, Salvage the Bones, her work may be the most worthy. Perhaps the theory that great disasters (wars, natural disasters) invariably produce great works of art (operas, novels, paintings, etc.). This theory was often discussed by Flannery O’Conner who commented on the irony of the “creative renaissance” in southern literature which owes its origin to the extensive suffering and injustice associated with slavery and the Civil War.
The narrator of Salvage the Bones is Esch, a fifteen-year-old girl living in Bois Sauvage, a predominately black bayou town which happens to be in the direct path of Katrina. Set in the twelve days leading up to, and just after the arrival of the hurricane, the novel presents each day as a distinct vignette. Esch and her brothers spend each day preparing for the terrifying arrival. They have no intention of leaving and attempt to help their drunken father reinforce their shack with sheets of plywood. They collect and store bottles of drinking water. Food supplies tend to consist of Top Ramen moon pies, vienna sausage, potted meat and eggs gathered in the woods.
However, despite Katrina’s approach, Esch and her brothers seem to be primarily concerned about their white pit bull, China who has just given birth to five pups. China has developed a reputation in the dog fights that take place in “The Pit” in Bois Sauvage. She is a killing machine, a fact that makes Esch and her brothers the envy of their neighbors. The family’s meager economic security depends on China and each day is spent grooming, washes and feeding her. Indeed they fawn over the big dog, telling everyone that her puppies will grow up to have a killer instinct and therefore, they are invaluable. Much of the intrigue in Esch’s daily life revolves around protecting China and her pups. Skeetah is Esch’s oldest brother and the dog’s self-appointed trainer.
Esch has a multitude of problems. She struggles to love her handicapped
father and is haunted by the memory of her mother’s death. Now, she discovers that she is pregnant by Bois Sauvage’s “golden boy,” Manny, the boy who put the baby inside her is totally indifferent to the consequences of a rough and tumble frolic in the dark. As each day brings more distress, the homely, pug-faced teenager turns to her imagination, searching for a means to deal with the world around her, and as luck would have it, that is Edith Hamilton’s Mythology, which was a required reading at school. Esch begins to see the people around her as characters in her favorite book. She observes that all the girls in Bois Sauvage seem to be acting like their mythical counterparts: Psyche, Eurydice, Daphne - all of them running away from something or running after someone. However, the mythical character that Esch selects for her own role model is an ominous one. It is Medea, the fierce and vindictive wife of “the golden-haired Jason, who kills her own brother when he stands in the way of her love for Jason; and when that love turns to hate, she then murders Jason’s new wife, Creusa, her father, Creon and even kills her own children.
Of course, Esch is not going to harm anyone. Although she is filled with rage at the world around her, she is actually one of the forces that is holding everything together; China, the white pitbull is another. When Katrina reaches landfall, it comes like some apocalyptic act of God, sweeping everything away, including Esch’s home and all of their feeble efforts to battle the rising water. In the end Salvage the Bones acquires a kind of epic grander. Like Noah or Gilgamesh, the waters finally withdraw, leaving a confused and humbled Bois Sauvage. How much has been lost? The puppies are gone and so is China - but given the dog’s character, she may have survived. Perhaps Skeetah and his brothers will find her.
The reader is left with a singular image. Skeetah, the oldest brother sits in the wreckage of their home, and while everyone else is searching for missing children, furniture and cars, Skeetah looks at his brothers and announces, “She will come back to me.” Esch tells us:
“He will watch the dark, the ruined houses, the muddy appliances,
the tops of the trees that surround us whose leaves are dying for
lack of roots. He will feed the fire, so it will blaze bright as a
lighthouse. He will listen for the beat of her tail, the padding
of her feet in the mud. He will look into the future and see her
emerge into the circle of his fire, beaten dirty by the hurricane
so she doesn’t gleam anymore. So, she is the color of his teeth,
his eyes, of the bone bounded by his blood, dull but alive,
alive, alive, and when he sees her, his face will break and
run water.
And what of Esch who loves the white dog? She says that China will look at me and know “I am a mother.”
Hopefully, it is apparent that this is a remarkable book. However, it was almost lost in the loud braying and confusion that dominates much of publishing business now. Even so, it won the National Book Award in 2011.
Now, after a strange silence, it is beginning to get the attention that it deserves.
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Reviewed in the United States on March 3, 2016