SKU: 91012997691

Quimper | LARGE Cake Platter | Signed & Numbered | TRADITION PATTERN

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Description

Quimper | LARGE Cake Platter | Signed & Numbered | TRADITION PATTERNBeauitful Qiumper cake plate, of course, use it as you wish. Plate hanger included. Approx 11 5 in diameter. Markings for the pottery known variously as the Grande Maison, de la Hubaudire or the HB factory have been posted in the photos. The western most part of the continent of Europe, this is a 1683 map of Brittany. Quimper is located to the left of center, above a small island and noted with its name at that time Quimper Corentin. From OldQuimper.

Beauitful Qiumper cake plate, of course, use it as you wish. Plate hanger included. Approx 11/5 in diameter.

Markings for the pottery known variously as the Grande Maison, de la Hubaudière or the HB factory have been posted in the photos.

The western-most part of the continent of Europe, this is a 1683 map of Brittany. Quimper is located to the left of center, above a small island and noted with its name at that time...Quimper-Corentin.

From OldQuimper.com
Quimper...pronounced "kem-pair"...is a town in northwestern France. It is also a people and a pottery.

To the people of Quimper, the town name is Kemper, which in their language  describes a confluence of rivers. ("Quimper" is a somewhat nonsensical rendition as not all the Breton dialects have a "Q" and a true French pronunciation would be different from the actual "kem-pair"). At any rate, "confluence of rivers" is an apt description, as the town is situated at the juncture of two rivers, the Odet and the Steir. Two other rivers, the Jet and the Frout, are close-by, but travel underground through the town limits. Historically, this close proximity to rivers meant an ideal place to establish a pottery factory and thus, Quimper has been a pottery town for centuries. Its "recent" history of continuous pottery production begins in 1708. (Previous accounts put the date as 1690, but history is not written in stone and recent findings have provided further information). 

By the last decade of the nineteenth century, three pottery factories were operating in the town of Quimper. One was the Porquier factory, another was known as the Grande Maison or De la Hubaudière factory, and the third, owned by Jules Henriot, was called the Faïencerie d’Art Breton. Tin-glazed earthenware, known in France as faïence, was a popular product, especially pieces that were hand-painted with scenes depicting life in the region of Brittany.

The making of faïence is an art. Especially in the early days, prior to the introduction of more modern methods, when both the technical and artistic skills necessary to make a piece of faïence were quite daunting. Extremely difficult to master its making, I've been known to liken faïence to being the "puff pastry" of pottery production.

The use of an opaque tin glaze is one factor that distinguishes faïence from other types of pottery...pieces made by this process were known as faïence in France, Spain, Germany, and Austria; in the Netherlands, they were called Delft; in England, the term was Delftware; and in Renaissance Italy, such pieces were called maiolica...not to be confused with majolica, that's actually a trade name of the Minton pottery in England for a Victorian-era product made using substantially different glazes and production methods.

The tradition of Quimper faïence production continues today. But much like the comparison of a Model T with a current Ford Motor Company product, today’s Quimper is very different from vintage Quimper. In many fields of collecting there is a line of demarcation; for Quimper pottery that line is World War II. Modern techniques and machinery introduced in the days after World War II resulted in the creation of a different product.  Vintage Quimper refers to pieces made prior to that time period; later production falls into the collectible genre.
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SKU: 91012997691

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Brand spanking new hardcover. Quality was great. That's the product from Amazon. The story itself has become priceless. I bought it to participate in the Great Global Read Aloud project with my class. However, being fourth generation American born Chinese AND teaching to students of various ethnic backgrounds and citizenship, this story really spoke to me. My 6 year old son has asked me to read it aloud to him as I was vetting the book and has really enjoyed it. Keep in mind there are some mentions of "idiot" and "hell", both in context, but I probably won't read it aloud exactly like that in the classroom to avoid any issues. It's a very eye opening story and lends itself to a lot of conversation about where you come from, who you want to be, and how to be the true you, without giving way to stereotypes and prejudices. These days, more people could use a more humbling story like this to truly just make LIFE GREAT AGAIN, no matter where you live.
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Reviewed in the United States on July 6, 2019
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Carnegie, US
★★★★★ 5
One of the best middle grade books of 2018!
Format: Hardcover
FRONT DESK is loosely based on author Kelly Yang’s life experience, as explained in an author’s note at the end of the book. Her straightforward writing makes this book perfect for younger middle grade readers (Mia is 10). Yet Yang tackles difficult issues like interpersonal, systemic, and institutional racism. She writes so simply and honestly, it’s hard to imagine a young person walking away without understanding these powerful messages. FRONT DESK is infused with dark truths about America and still manages to be light, heartwarming, and fast-paced. Lovable Mia solves problems by using her writing skills—not her math skills as her mother wishes she would. She beats the system by using her words, often disguised as the words of adults, to point out injustices and find pathways to a better life for her family and friends. Mia’s and her parents’ find—actually, create—community at the Calavista Motel. They fight back when multiple systems conspire to make life impossible for Hank, an African American man who lives at the hotel. They devise a system to hide desperate Chinese immigrants in vacant rooms. This is deep social justice work, accompanied by anecdotes of Mia’s follies at the front desk and problems at school. The book ends on a hopeful note, with the Tangs’ community surrounding them to help them take the first step off the poverty rollercoaster. The solution they come up with has a chance at helping others get off, too. FRONT DESK shifts the narrative about the American experience, acknowledging that there are many American experiences. The pathway to the American Dream can take many forms, and Yang has described one that is heart wrenching, hopeful, and a lot of fun along the way.
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Reviewed in the United States on June 5, 2018
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qocn19
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★★★★★ 5
This is my middle school daughter’s favorite book.
Format: Paperback
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Reviewed in the United States on September 1, 2025
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★★★★★ 5
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