lidjienko smile massimo salvagnini paolo birro
SKU: 8743024664

lidjienko smile massimo salvagnini paolo birro

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Description

lidjienko smile massimo salvagnini paolo birroLIDJIENKO SMILE (CVLD311) 01 Do You know What It Means to Miss New Orleans? (De lange, Alter) 3: 21 02 Soft Bone (Salvagnini) 3: 52 03 Happy New Reed (Salvagnini) 1: 54 04 Santa Claus Is Coming to Town (Coots, Gillespie) 5: 01 05 Change of Ghost (Salvagnini) 4: 15 06 I Dont Like These New Flowers (Salvagnini) 3: 25 07 I Hope Youll Change (Salvagnini) 5: 34 08 Only Afternoon (Salvagnini) 4: 09 09 Closed Eyes (Salvagnini) 6: 06 10 Lidjienkos Way

LIDJIENKO SMILE (CVLD311)

01 - Do You know What It Means to Miss New Orleans? (De lange, Alter) 3:21
02 - Soft Bone (Salvagnini) 3:52
03 - Happy New Reed (Salvagnini) 1:54
04 - Santa Claus Is Coming to Town (Coots, Gillespie) 5:01
05 - Change of Ghost (Salvagnini) 4:15
06 - I Don’t Like These New Flowers (Salvagnini) 3:25
07 - I Hope You’ll Change (Salvagnini) 5:34
08 - Only Afternoon (Salvagnini) 4:09
09 - Closed Eyes (Salvagnini) 6:06
10 - Lidjienko’s Way (Salvagnini) 2:49
11 - I Can’t Get Started (Duke, I.Gershwin) 2:26
12 - A Pit Is Not a Grave (Salvagnini) 4:41
13 - Worms at Work (Salvagnini) 4:18
14 - Empty Suit (Salvagnini) 3:47
15 - Funny Corpse (Salvagnini) 7:52
16 - He’s Funny That Way (Whiting, Moret 4:58
17 - I Remember You (Mercer, Schwertzinger) 2:17
Total Time: 72:27


Original compositions by Massimo Salvagnini and American Standards

Massimo Salvagnini, saxophone

Paolo Birro, piano

24bit/88.2kHz re-mastering from original analog tapes using ADC Prism Sound AD2 Dream and analog console Neve 88, made at Velut Luna Studios, Casalserugo, Italy on November, 8, 2018


Production: VELUT LUNA
Musical producers: Massimo Salvagnini, Paolo Birro
Recording engineer: Marco Lincetto
Re-mastering engineer: Marco Lincetto
Cover painting: Massimo Salvagnini
Inside photos: Marco Lincetto, Massimo Salvagnini

The duo album, partly recorded in private homes and partly in a large empty auditorium, offers a unique timbral opening to the music with its reverberation and testifies to the extraordinary result of the meeting of the two musicians, between jazz atmospheres and brilliant improvisations in a romantic, but not gloomy, atmosphere. Velut Luna's debut work, dedicated to the Romanian philosopher and writer Radu Lidijenko.

Tracks 1 - 8:
recorded in a little rehearsal room at Paolo Birro’s home in Montagnana, Italy, on February, 21, 1995 using a Yamaha C3 Piano and analog recording set up: Revox PR99 with Maxell UD Master Tape 1/4” 38cm/sec - O.T.L. 2ch Mic Preamp 1, custom built for Velut Luna by Riccardo Ceolin - AKG C535B microphones, XY stereo pair
Tracks 9 - 17:
recorded at Auditorium Pollini, Padova, Italy, on March, 21, 1995, using a Steinway & Sons D274 Concert Grandpiano and analog recording set up: Revox PR99 with Maxell UD Master Tape 1/4” 38cm/sec - Millennia Media HV-3C, 2ch mic preamp - Sennheiser MKH-20 microphones, A-B stereo pair.

Lidjienko Smile is very similar to Scrooge McDuck's legendary "Number One"...
A precious, fundamental, essential album and an authentic icon of Velut Luna. Just as over the years Massimo Salvagnini has become the quintessential symbolic artist of my Velut Luna. With this remastering work, absolutely respectful of the unprecedented original analog recordings, I intend to shed new light on these musical pieces, which were released in 1995 based on the digital recordings then made in the simple 16bit/44.1kHz format of the Tascam DA20 DAT used for parallel recording with the analog Revox recorder.

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SKU: 8743024664

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Reckless Reader
Birmingham, US
★★★★★ 5
Spectacular Albeit Unknown History of Race Relations
Format: Hardcover
This is a great piece of historiography about something few know about at all --- slavery in New York City in the 18th century. How about a slave "rebellion" in New York City, how about more people burned at the stake than in the Salem witchcraft trials, how about dark byways and highways of old New York, barely transformed from its days as New Amsterdam, dark plots in dank places, shrill frightened tyrants overreacting with bloody retribution, burned ruins of an early African American village in Central Park? One cannot make up this stuff, it is too real so it must be history at its best. And written by one of our premier authors of history, a woman who makes our history live in The New Yorker to the acclaim of many, and yet whose best book, this one, is still too little known. If you appreciate Harry Truman's remark that the only new thing under the Sun is the history you haven't read, then this is one to curl up with and marvel at; a great way to spend a rainy day or a dark night.
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Reviewed in the United States on January 22, 2010
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Michael Pointer
Grantham, US
★★★★★ 4
Good, but not great.
Format: Paperback
Kudos to Lepore for delving into an important, little known subject, which she does better than most historians. At times, however, I think she felt the need to put every little piece of information she got into the book. It was way too long. Some good research, but she has done better. Still, worth checking out. I like to think I know American history, but I know nothing about this awful chapter.
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Reviewed in the United States on April 1, 2019
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John Warren
Dallas, US
★★★★★ 5
DAMN, this is a great book!
Format: Hardcover
All history books should be this detailed, this readable, this humane. Lepore knows how to write about a horrible, nearly forgotten episode in NYC history. Unlike many historians, she steps away from overt politics or raw emotion. She knows that this subject is too serious to be shouted. It is the rare history book that is packed with facts as well as knowledge. I felt like Lepore was taking my hand and leading me through the smelly streets of lower Manhattan in 1741, like I could almost see the faces of...what were they, anyway? The victims of a horrible hoax? The demented planners of a plot to burn the city? Or something in between, where thieves can also be the keepers of ancient rites from a distant homeland, where the world is turned upside down? I could go on and on, but just buy the book!
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Reviewed in the United States on May 20, 2008
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Kim Burdick
Alexandria, US
★★★★★ 3
New York Burning
Format: Paperback
. This is an important book that explores in depth what is usually only found in textbooks as a one-sentence summation: "In 1741 there was a slave uprising in New York City." Scholars will probably be happier starting with the Appendix and bibliography and then reading the book. The text is disorganized and uneven, and although this is non-fiction, the characters could have been more finely drawn. Peter Zenger's trail keeps popping up in unexpected places, often disconnected from the action the author is working on. Some sections are heavy on primary documents and period writings, others are more poetic. Yes, I do understand the parallels with the Salem Witch Trials. The Salem Witch Trials get more press today because of Arthur Miller's "Crucible." Color and religion of the participants aside, both events are stories of group think and mass hysteria, fear and anger. There is plenty of room here for a first-class film or play to be written. Read this book, learn from it. Expect to complain about it. Kim Burdick Stanton, DE
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Reviewed in the United States on November 7, 2014
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Robert B. Tauber
Dallas, US
★★★★★ 5
What You Didn't Know
Format: Paperback
Did you know that if you were a Catholic Priest on the streets of New York in 1747 that you'd be arrested and hung! Great book if you're interested in the times during which our founding Fathers were growing up. It'll give you a different concept on how slavery was different in NYC as opposed to in the South, and how many of the streets in NYC got there names from English magistrates. If you like history, especially of NYC, you'll love this book.
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Reviewed in the United States on January 24, 2015

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