SKU: 35142950611

Oxford Diecast Scania Highline Walking Floor A W Jenkinson - 1:76 Scal

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Description

Oxford Diecast Scania Highline Walking Floor A W Jenkinson - 1:76 ScalOur recent and newly tooled model of the Scania Highline with Walking Floor trailer has so far majored on green energy liveries, with the first two releases in different Eddie Stobart Biomass colour schemes. Our third introduction carries on in the same vein with the striking dark green and white livery of A W Jenkinson, first established in 1996, who operates in Penrith, Cumbria and also from the Lowlands of Scotland. The company concentrates on

Our recent and newly tooled model of the Scania Highline with Walking Floor trailer has so far majored on green energy liveries, with the first two releases in different Eddie Stobart Biomass colour schemes. Our third introduction carries on in the same vein with the striking dark green and white livery of A W Jenkinson, first established in 1996, who operates in Penrith, Cumbria and also from the Lowlands of Scotland. The company concentrates on forest products (as their livery describes on our model) and also the distribution of woodwaste. Their fleet comprises articulated units including Scania and Volvo, tipper units and skeletal and self-loading skeletal trailers.

Their Scania articulated fleet is primarily twinned with the Walking Floor trailer used for carrying raw wood, chips, sawdust and compost, with a number also towing the traditional curtainsided trailers used to deliver packed and palletised goods.

Our 1:76 scale replica is registered PX64 YHR and its white body features a contrasting dark green to the roof, rear sides, trailer back, wheel centres and chassis. The mudguards are dark grey and the bars on the trailer are printed in silver. The decoration is simple but strikingly effective with superbly printed silhouettes of trees in different shades of green, grey/black on the cab doors and across the rear of the trailer. There are even tiny trees printed on the bonnet of the cab above the front light clusters, rounding off a most attractive replica of this very modern truck.

 

Dimensions and Weights

Packed: 25cm x 6.7cm x 9cm ( L x W x H )

Unpacked: 22.3cm x 4cm x 5.8cm ( L x W x H )

Excludes shipping carton

Scale

1:76 scale means that this is 76 times smaller than the full sized vehicle(s)

For a much more detailed explanation of scale and the history please follow this link.

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SKU: 35142950611

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Donna Menchinger
New York, US
★★★★★ 5
Five Stars
Format: Paperback
Fun
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Reviewed in the United States on January 9, 2017
M
Verified Purchase
MJ
New York, US
★★★★★ 2
Bent
Format: Paperback
When the book came the cover was crumpled and bent so it was really hard to read
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Reviewed in the United States on January 6, 2020
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Verified Purchase
N. Durham
Carnegie, US
★★★★★ 5
Quite possibly the best Punisher stories ever told
Format: Hardcover
It's no secret that Garth Ennis' long run on the Punisher (particularly the MAX titles) has been nothing short of superb if not visionary, and this handsome hardcover collection, featuring three seperate one-shots, further proves that point. From First to Last begins with the Tyger, a story in which a young Frank Castle embarks on his first night of vengeance as the Punisher. As he has some mob men in his sights, he recollects to a summer in Brooklyn when he was a young man, and a shocking event that only further shaped Frank's inevitable path to becoming the Punisher. This story is good, but it's not anything really great, though John Severin's art is quite good. Thankfully, everything gets better from this point on. The Cell finds Frank turning himself in and convicted of his many murders and taken to the bowels of Riker's Island. However, Frank has a reason he's here, and it involves five men who all share a secret and a link to Frank that you'll never see coming. This story alone makes this collection worth picking up, and the art by Lewis Larosa (who also worked on the first Punisher MAX TPB, In the Beginning) is gritty, bloody, and brilliant. The third and final story is the spectacular Punisher: The End, featuring art by the legendary Richard Corben, which more than makes it worth checking out alone. As part of Marvel's "The End" line, this one-shot is just that, as an elderly Frank Castle finds himself as one of the last men on Earth after a nuclear holocaust has turned the world to ash and dust. Of course, there are still those that are guilty, and need to be punished. The last two stories alone are some of the best Punisher stories ever written, period. If you missed out on the one-shots when they were first released, now is your chance to read some of the best mainstream comic gold to come along in a long time, and this collection only furthers the notion that is discussed on the book's inside flap: Ennis was born to write the Punisher.
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Reviewed in the United States on December 30, 2006
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A.G.
Carnegie, US
★★★★★ 5
Three really solid stories here.
Art is top notch. We get three really nice stories of pre-Punisher Frank, mid-Punisher Frank and the end of Punisher Frank. I look at this book a couple times a year and Garth Ennis really did a great job on the character. The art by Severin, LaRosa and Corben were all great and fitting for their stories. Good collection if you can find it. Highly recommend.
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Reviewed in the United States on January 22, 2026
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The Critic
Grantham, US
★★★★★ 4
Vintage Castle
Garth Ennis renders one of his hectic stories with Frank Castle coming back to his origins. The first story deploys Frank's childhood and the unexpected consequences of it later on. I humbly believe the second part(The cell), is the best of this issue. It narrates the ultimate vengeance of Castle against those who took the lifes of his family, several years ago in the middle of a shooting at day light in Central Park. A mention must be done of the art in The Cell. The pencils of Lewis Larosa, the Inks & Finishes of Scott Koblish and Raúl Treviño's colors, leave nothing to desire and accomplish to portrait that classic look of Castle as a somewhat mature/old man still capable of hell when it comes to seek revenge for his family. The End, however, which puts Castle in a dystopian future of a post-nuclear bombing, fails to blend smoothly Garth Ennis' script with the caricaturesque art from Richard Corben and Lee Loughridge. There is a dissonance between this very old Frank Castle in an apocalyptic environment and the drawings that for some reason maintain a gap with previous artists. As a whole, From First to Last is totally worthy. Garth Ennis is back to team with Castle and that's all what counts. Cristián Gómez O.
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Reviewed in the United States on February 20, 2011

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