Nadine Ethner, The Baltic Sea Project Part II, Prism #2, 2024
SKU: 65959412044

Nadine Ethner, The Baltic Sea Project Part II, Prism #2, 2024

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Description

Nadine Ethner, The Baltic Sea Project Part II, Prism #2, 2024Landschaft ist stets ein Spiegelbild menschlichen Handelns. Die Ostsee vereint verschiedene Lnder und Perspektiven, die sich in einem Lichtprisma widerspiegeln. Licht kann das Verborgene offenbaren. In Prozessen der digitalen Transformation ist Landschaft nicht mehr nur Lebensraum, sondern auch ein politisches Spiegelbild verschiedener Staaten. Es gibt zudem eine erweiterte Realitt, die unsere Augen nicht wahrnehmen knnen. Hinzu kommt die Anflligkeit

Landschaft ist stets ein Spiegelbild menschlichen Handelns.

Die Ostsee vereint verschiedene Länder und Perspektiven, die sich in einem Lichtprisma widerspiegeln. Licht kann das Verborgene offenbaren.

In Prozessen der digitalen Transformation ist Landschaft nicht mehr nur Lebensraum, sondern auch ein politisches Spiegelbild verschiedener Staaten. Es gibt zudem eine erweiterte Realität, die unsere Augen nicht wahrnehmen können.

Hinzu kommt die Anfälligkeit der Ostsee, die unter Umweltproblemen wie Sauerstoffmangel leidet, was zur Bildung von sauerstoffarmen „toten Zonen“ in den Tiefen des Meeres führt. Der aktuelle Wasserstand ist der niedrigste seit 140 Jahren.

Ökologische Katastrophen und eine behutsame ökologische Wiederherstellung durch den Menschen sind eng miteinander verflochten.

"Der sinnliche Eindruck, den der Betrachter über die räumlich angeordneten Fotografien erfährt, lässt ein inneres Empfindungsbild aufsteigen, das zu sich zu einer synthetischen Wahrnehmungsform verdichtet. Wir begegnen einem impressionistischen Gestus, der auf einer Vielzahl konzeptioneller Einzelnuancen beruht. Anders ausgedrückt: Rund um dieses kleine graublaue Binnenmeer des Nordens existiert eine mehrfarbene Palette an unterschiedlichen Ländern, Menschen und Kulturen, die in dem Projekt Baltic Sea ins ästhetische Verhältnis gesetzt sind."–Stephan Reisner

The Baltic Sea Project Part II, Prism #2, 2024

Auflage 5+2 AP

38 x 30 cm Hahnemühle Fine Art Print, Fine Art Baryta Satin, mit weißem Rand 1,5 cm, (Edition 3+1AP)

€ 1200,00 (inkl. 19% MwSt) ungerahmt, nummeriert und signiert

ca. 45 x 35 cm, gerahmt

€ 1400,00 (inkl. 19% MwSt) gerahmt, Ahorn weiß gebeizt, Distanzleiste, Museumsglas, nummeriert und signiert

oder

50 x 40 cm Hahnemühle Fine Art Print, Fine Art Baryta Satin, mit weißem Rand 1,5 cm, (Edition 2+1AP)

€ 1650,00 (inkl. 19% MwSt) ungerahmt, nummeriert und signiert

ca. 52 x 42 cm, gerahmt

€ 1900,00 (inkl. 19% MwSt) gerahmt, Ahorn weiß gebeizt, Distanzleiste, Museumsglas, nummeriert und signiert

zzgl. Versandkosten

-

Landscape is always a reflection of civil intervention. 

The Baltic Sea unites different countries and perspectives, reflected in a prism of light. Light can reveal what is hidden. In digital transformation processes landscape is not only a habitat anymore, but also a political reflection of different states. There is also an augmented reality that our eyes cannot perceive. Added to this is the vulnerability of the Baltic Sea, which suffers from environmental problems such as oxygen depletion, leading to the formation of oxygen-depleted “dead zones” deep in the sea. The current water level is the lowest it has been in 140 years. Ecological disasters and careful human ecological restoration are closely intertwined.

"The sensory perception that the viewer has while looking at the photographs creates an inner image that condenses into a kind of synthetic perception. We encounter an impressionistic gesture that rests on a large number of singular conceptual nuances. Put another way, Baltic Sea takes the diverse colors of the countries, people and cultures surrounding this small gray-blue sea in the north and puts them into an aesthetic context."–Stephan Reisner

The Baltic Sea Project Part II, Prism #2, 2024

Edition of 5+2AP

38 x 30 cm Hahnemühle Fine Art Print, Fine Art Baryta Satin, with white border (1,5 cm), unframed, (Edition of 3+1AP)

€ 1200,00 (incl. 19% VAT) unframed, numbered and signed

ca. 45 x 35 cm, framed

€ 1400,00 (incl. 19% VAT), maple wood white stained, distance bar, mounted, museum glass, numbered and signed

or

50 x 40 cm Hahnemühle Fine Art Print, Fine Art Baryta Satin, with white border (1,5 cm), unframed, (Edition of 2+1AP)

€ 1650,00 (incl. 19% VAT) unframed, numbered and signed

ca. 52 x 42 cm, framed

€ 1900,00 (incl. 19% VAT), maple wood white stained, distance bar, mounted, museum glass, numbered and signed

plus shipping

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SKU: 65959412044

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Houston, US
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Used this in my 17 RAM 1500. This stuff works great, just as good as S...ss brand that is also sold on here. Same thickness and same tackiness. And this stuff sticks like crazy, once its laid down and rolled onto the surface, it is hard to remove, so I am pretty sure it will stay where I installed it. It is great value, one box was enough to do the whole roof of the truck with a little left over for small spots. I think it took a total of 2.5 boxes to do my whole crew cab, roof, floor and back wall and most of the firewall, and I also added a layer of their .25" foam. I do notice a difference in less outside noise, from wind and road. I will be doing my wife car soon, and this is the product I will be using again, I recommend this.
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This stuff works great. Fraction of the cost to Dyna.. and just as good. Very sticky. Used in doors, floors and ceiling. Great product and performs flawlessly. I would highly recommend this.
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Very good and easy to use, made my 88 Chevy feel better
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This sound-deadening mat was easy to install on the roof of my Toyota FJ Cruiser. It significantly stiffened the roof and dramatically reduced the wind noise inside the vehicle caused by my roof rack and lights. I can actually carry on a conversation again without shouting while driving on the freeway. The 36-square-foot package was enough for my application, with about three sheets left over. The tiles adhered well to the metal without any special surface preparation. I only wish I had done this sooner.
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